INSTAGRAM, TIPOLOGY AND ARCHITECTURE
The Interiors of Social Media
Analyzing the most followed Instagram accounts worldwide, this essay investigates the role that social media plays in the contemporary redefinition of our material environment and its virtual boundaries. Operating within a framework of production/consumption, Instagram establishes hierarchies based on the success of content, the most valued body types, and the types of architecture presented for public consumption. From the members of the Kardashian-Jenner family to Leo Messi, and from Beyoncé to Cristiano Ronaldo, the most followed accounts predominantly feature heterosexual celebrities, reinforcing norms and stereotypes that are regularly framed within interior spaces. Addressing these interiorities through a typological classification is to recognize that they are producing architecture, and therefore spatial behaviors and norms.
Category: Essay. Spanish
Author/s: Javier F. Contreras, Paule Perron
ISSN: 1853-1997
Download PDF (English)
Download PDF (Spanish)
The Interiors of Social Media
Analyzing the most followed Instagram accounts worldwide, this essay investigates the role that social media plays in the contemporary redefinition of our material environment and its virtual boundaries. Operating within a framework of production/consumption, Instagram establishes hierarchies based on the success of content, the most valued body types, and the types of architecture presented for public consumption. From the members of the Kardashian-Jenner family to Leo Messi, and from Beyoncé to Cristiano Ronaldo, the most followed accounts predominantly feature heterosexual celebrities, reinforcing norms and stereotypes that are regularly framed within interior spaces. Addressing these interiorities through a typological classification is to recognize that they are producing architecture, and therefore spatial behaviors and norms.
Category: Essay. Spanish
Author/s: Javier F. Contreras, Paule Perron
ISSN: 1853-1997
Download PDF (English)
Download PDF (Spanish)
PLOT, No. 72 (February 2024): 174-183
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